What's really interesting here, Watson, is just how John Fitzpatrick managed to come across a note from Palmer to Rozsa clearly relating to a score manuscript.

This arguably means that John is supervising or observing, or even editing/proofreading some Rozsa score (or correspondence thereon) notes in possible preparation for a new release?

"Ingenious Holmes, but if so, which might that be? Sodom and Gomorrah is too early, and Palmer never worked on a suite from that, did he?"

"'Difficult to guess, Watson, but not all scores have Prologues or Forewords. And if Palmer was involved, then it relates to the latter part of Rozsa's career. All the usual suspects have already seen releases from that era. But then again, Palmer was involved in revising suites of much earlier material. So who can say? Is it likely new suites destined for the Polydor series have been unearthed? If so, why would Intrada not have found these already? This is usually Mr. DeWald's territory."

"We'll have to wait and see Holmes."