The IMDb poll must be looked on with more than a little suspicion since, at its bottom, far removed from the well-known masterworks of BEN-HUR and DOUBLE INDEMNITY (both films and scores), are to be found the likes of JACARÉ, NEW WINE and THE GREEN COCKATOO, early Korda offerings so obsure that the last living beings to have actually seen them must've gone to their graves sometime during the Kennedy Adminstration.

And then there's the inclusion of such an ersatz Rózsa score as GESUCHT: MONIKA ERTL, which, I'm assuming, drew on a pastiche of old scores in the composer's canon.