Well, gee, Rey, welcome, but ....

well, I wouldn't want to wet-blanket a Rozsa enthusiast, but well ... what you've got there is some parallel brass fourths on top of fifths repeated over and over and ... over and over ... and over and over, with a few ascending scales, arpeggi. They're chords often associated with Japanese things in cliche.

There isn't ACTUALLY a melody. I think whoever is titled as the composer on the credits ... pulled this off too without a BIG stretch .....

Look on the bright side: if your CD player gets stuck on that one, the endless fun will be endless fun.