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Re: The Bible
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A Lee Hern
HOUSTON, WE'VE GOT A PROBLEM...AND HIS NAME IS HUSTON
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Dec 6 07 10:15 PM
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The one concrete and indisputable conclusion at which one can arrive, vis-a-vis the intransigence of Dino Delaurentiis and John Huston on
THE BIBLE
, is that it cost posterity one more score in Rózsa's
oeuvre
for us to enjoy and cherish, especially since the early 1970s were a fairly fallow period for the composer.
Still, one might ask whether Rózsa bothered to look back to his one-time-only experience with Huston on
THE ASPHALT JUNGLE
fourteen years earlier, and Huston's well-established penchant for employing off-beat composers and scores in films such as
MOBY DICK
and
NIGHT OF THE IGUANA
.
Obviously, a "romantic adventure tale" was not apt to bring forth from Rózsa his greatest inspiration (though
TIME AFTER TIME
certainly falls into this category), but a Rózsa score is a Rózsa score.
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