Quote:
QUO VADIS most moving moments are those between the slave, Eunice, and Petronius, her master, and Rózsa's music for these moments is a big part of the reason, possibly because he manages to accentuate the contrast in the unlikely romance that develops between such dissimilar personalities.


I have to agree with Avie on this one. Eunice's love theme certainly is more intimate, as well as heart-rendering and tragic, speaking as it does towards a fulfillment that will only be consummated beyond the grave, in an act of liberation from the delusional madness that has gripped Nero and the self-indulgent citizens of Rome.