That is why I am not a decent pianist ... that digit won't extend fast enough. It aims for the stretch of British Columbia, but strikes out dismally in the California of the keyboard.

The same old thing is manifest here though: if a film composer writes Hollywoody drama queen music or jazz, he's a down-to-earth delight and all teeth sparkle. But if he's a heavier, deeper, more strenuous craftsman like Rozsa, then there has to be the 'nudge-wink' suggestion he's inflated a little. Hollywood can't be serious, and if it is it's somehow 'pretentious'.

Still, one gets the impression this presenter was sympathetic to Rozsa at least and likes his work.